“Dasham Avatar” by Srijit Mukherji, a captivating film about Kolkata’s underbelly is notably weakened by its rushed finale, states Sukanya, in her review, exclusively for Different Truths.

Srijit Mukherji’s “Dasham Avatar” embarks on a daring journey, threading the gruesome tapestry of a serial killer’s reign of terror through the vibrant streets of Kolkata. Despite its compelling cinematography that paints a vivid and haunting portrayal of the city’s underbelly, the film grapples with an incomplete and rushed finale that mars its otherwise captivating narrative.

The visuals captured by the cinematographer are nothing short of breathtaking, showcasing the labyrinthine alleys and bustling streets of Kolkata in a hauntingly beautiful light. The play of shadows, the atmospheric depiction of the city, and the stark contrasts lend an immersive quality to the storytelling, elevating the film beyond its narrative flaws.

The narrative mirrors the mythological tales of Vishnu’s avatars through the killer’s chilling methods, setting a promising stage with a strong start. Jisshu Sengupta and Prasenjit Chatterjee infuse life into their characters, fostering a palpable camaraderie that draws audiences into the web of intrigue surrounding the murders.

Mukherji’s directorial prowess shines through in the initial acts, deftly balancing moments of camaraderie, suspenseful investigations, and an undercurrent of danger. However, the film’s downfall lies in its third act, as it hurtles toward a conclusion that feels rushed and inadequately fleshed out.

While the cinematography remains a standout feature, which does a remarkable job of capturing Kolkata’s essence, it has a hasty and ambiguous ending that significantly lessens the narrative impact. The rushed climax leaves viewers grappling with unresolved questions. undercutting the intricate buildup of suspense and investigation.

In essence, “Dasham Avatar” is a cinematic marvel that falters in its conclusive moments. Despite the brilliance of its visuals and the compelling setup, the film’s abrupt ending fails to match the depth and satisfaction expected, leaving a lingering sense of unexplored potential.

Feature picture from IMDb

Sukanya Basu Mallik

Sukanya Basu Mallik is a renowned Indian writer, known for her works in various publications and for winning Best Manuscript Awards for fiction & non-fiction categories (Mumbai Litofest, 2018). She is currently pursuing a PhD at IIT Madras, focusing on organisational behaviour and art-based therapies for enhancing teaching-learning effectiveness using immersive technologies. She was recognised for her short story 'Healing of Wounds' at NCLF, led by Ruskin Bond.

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