Poet-photographer, Dr. Swaraj’s haiku verse, exclusively for Different Truths.
the forest resounded
with his crepuscular serenades
the day ebbed away
Photo by the poet
Poet-photographer, Dr. Swaraj’s haiku verse, exclusively for Different Truths.
the forest resounded
with his crepuscular serenades
the day ebbed away
Photo by the poet
This week’s highlights, exclusively for Different Truths, include Shail’s tribute to Zakir Hussain, commentary on minimalist travel, and…
Steffen explores the haunting nature of voices, referencing Merwin’s forgotten languages and kingdoms, suggesting a yearning for connection…
Mohan’s review of Gayatri Lakhiani Chawla’s Borders and Broken Hearts highlights the impact of partition on Sindhi literature,…
Nishi’s poem depicts a moment of confusion and disorientation, where the speaker questions their identity, location, and purpose,…
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Your most of the posts carry a different truth of intelligence. Of late, I observe in dispassionate that most scholars(?) look at things superficially.
Either they do not understant or they simply soft-pedal the crux of the say. I hear the voice of Ruth in your crisp write-up. The gloam radiates its varigaeted hues in perfect harmony with Nature. The term ‘crepuscular’ itself carries the voice of a broken heart. Is the bird the symbol of a carrier of a missive?
How does ‘forest’ become a male voice whereas the appeal of the haiku represents the soft voice of the feminity? This is my personal observation.
For a moment, I was there.