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“The Child Remains” &“The Marsh King’s Daughter” : A Double Thriller

Sukanya reviews “The Marsh King’s Daughter” and “The Child Remains”, psychological thrillers and chilling historical horrors, promising to linger in the mind long after the credits roll.

Michael Melski’s “The Child Remains” is a chilling dive into historical horror, shedding light on the haunting truths of a bygone maternity home, where the tragedy of the Butterbox babies’ fate unfolds. Within its eerie setting, Melski expertly juxtaposes innocence with malevolence, crafting a narrative that haunts the mind without resorting to typical horror movie tactics.

The film’s strength lies in its poignant portrayal of the emotional devastation caused by the loss of innocent lives.

The film’s strength lies in its poignant portrayal of the emotional devastation caused by the loss of innocent lives. Melski delicately navigates this harrowing terrain, crafting an atmosphere where horror seeps in from the tragedy of lives cut short before their stories even begin.

Rather than relying on conventional jump scares or overt horror tropes, the film’s narrative unfolds as a delicate dance between haunting suspense and visceral terror. It teeters between the familiar beats of a “haunted house” procedural and sudden, gut-wrenching revelations about the past that shock and disturb in unexpected ways.

Suzanne Clément’s portrayal of Rae, an expectant mother grappling with PTSD, resonates deeply. Her quest for truth amidst the unsettling secrets of Mersey Inn blurs the lines between investigation and personal obsession. Allan Hawco’s nuanced performance as Liam adds layers to the tension, scepticism, and eventual gripping descent into the unknown.

The film’s narrative is structured in acts, with a deliberate build-up that exudes a subtle sense of foreboding.

The film’s narrative is structured in acts, with a deliberate build-up that exudes a subtle sense of foreboding. The eerie normality crafted in the initial two-thirds of the film draws viewers in before Act III unleashes a whirlwind of narrative twists. However, amidst the shocking revelations, Act III occasionally struggles to maintain the cohesive flow established earlier.

Melski’s bold directorial choices shine in Act III, where the storyline takes unexpected turns. While these moments offer gripping revelations, they sometimes veer too far from the established groundwork, leaving thematic threads dangling precariously.

“The Child Remains” stands as a testament to Melski’s ambition in reshaping horror storytelling. Despite occasional disjointedness, it offers a captivating exploration of horror, bridging haunting past tragedies with present-day terror in a way that defies traditional genre norms.

…”The Child Remains” offers a jarring yet compelling experience…

In its pursuit of uniqueness, “The Child Remains” offers a jarring yet compelling experience, leaving viewers spellbound and intrigued. Melski’s daring narrative attempts, though not flawlessly executed, deserve acclaim for their audaciousness and willingness to break free from conventional horror movie constraints.

***

Act I: A Captivating Introduction

Daisy is the star of an ensemble cast that Neil Burger is directing. Ridley’s “The Marsh King’s Daughter” opens with a gripping premise. The narrative introduces Helena Pelletier, raised in captivity by her father, the enigmatic Marsh King, after he abducted her mother. As Ridley embodies the adult Helena and Brooklynn Prince portray her younger selves; the film sets the stage for a psychological thriller shrouded in mystery and suspense.

Act II: Twists and Confrontations

Ben Mendelsohn’s portrayal of Jacob Holbrook, Helena’s father, brings depth to the unsettling dynamics within the Pelletier family. Ridley’s compelling performance drives the narrative as Helena grapples with her traumatic past and navigates the complexities of her present life, fraught with fears of her father’s looming influence. The film’s tension escalates as Helena, now a mother herself, employs her survival skills to protect her daughter and confront the haunting shadows of her upbringing.

Act III: The Unravelingand Mixed Reception

“The Marsh King’s Daughter” faces criticism for its pacing issues and an unsatisfying resolution.

As the story progresses, “The Marsh King’s Daughter” faces criticism for its pacing issues and an unsatisfying resolution. The narrative struggles to fulfill its initial promise because of a clumsy conclusion. falls short of expectations. Despite the remarkable performances by the cast, particularly Ridley’s portrayal of Helena’s resilience and the film’s execution falters, leaving audiences with a sense of unfulfilled potential.

The Verdict

While the film boasts a stellar cast and an engaging premise, it falters in delivering a consistently captivating experience. Pacing concerns hinder the narrative’s impact, ultimately diminishing the overall reception. “The Marsh King’s Daughter” stands as a tale with compelling elements but falls short in weaving them together seamlessly, leaving audiences yearning for a more cohesive and satisfying conclusion.

Photo from IMDb

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Sukanya Basu Mallik
Sukanya Basu Mallik is a renowned Indian writer, known for her works in various publications and for winning Best Manuscript Awards for fiction & non-fiction categories (Mumbai Litofest, 2018). She is currently pursuing a PhD at IIT Madras, focusing on organisational behaviour and art-based therapies for enhancing teaching-learning effectiveness using immersive technologies. She was recognised for her short story 'Healing of Wounds' at NCLF, led by Ruskin Bond.

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