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Focus on Two Films: Gritty Espionage vs. Fumbled Fright

Sukanya dives into two contrasting cinematic experiences: the adrenaline-pumping hostage rescue mission of “The Point Men” and the chilling creature feature, “Monster Grizzly.” Buckle up, cinephiles, as we navigate cultural exchange and blizzard-born terror, exploring triumphs and flaws in equal measure.

En route during a recent flight, I stumbled upon “The Point Men,” a 2023 South Korean action thriller directed by Yim Soon-rye. Despite the language barrier, the film captivated me from the outset. It revolves around the 2007 South Korean hostage crisis in Afghanistan, chronicling the valiant efforts of diplomat Jung Jae-ho (Hwang Jung-min) and NIS agent Park Dae-sik (Hyun Bin) to rescue abducted Korean hostages.

Act 1: Set-Up and Introduction

One standout element was the film’s poignant portrayal of friendship amidst adversity.

One standout element was the film’s poignant portrayal of friendship amidst adversity. Unlike typical action films, “The Point Men” emphasises the characters’ bond, enriching their journey with depth. However, the negotiator’s exceptional brilliance occasionally felt exaggerated, veering toward the over-the-top and momentarily detracting from the immersion.

Act 2: Rising Action and Conflict

Despite the language, barrier, the film eloquently conveyed emotions. It skilfully depicts the challenges of navigating foreign terrains during hostage negotiations and rescue missions, authentically portraying the risks involved.

Despite initial production delays due to the Covid-19 outbreak, the dedication of the team to accuracy and Storytelling excellence shines through. Following multiple postponements, “The Point Men” finally premiered on January 18, 2023, receiving both critical acclaim and commercial success.

Act 3: Climax and Resolution

“The Point Men” left a lasting impact at the South Korean box office, resonating deeply with audiences and garnering impressive viewer numbers. The movie’s essence lies in the captivating portrayal of the friendship between Jung Jae-ho and Park Dae-sik. Their bond, tested amidst the high-stakes rescue mission, added profound emotional depth to the narrative.

However, instances of the negotiator’s brilliance occasionally bordered on theatricality, subtly detracting from the film’s authenticity. Nevertheless, the movie stands tall in the action thriller genre, commendably portraying real events and the risks inherent in rescue operations.

Its immersive storytelling, coupled with stellar performances, weaves a gripping narrative…

While “The Point Men” may not align with every viewer’s expectation, its genuine portrayal of friendship amidst adversity and its ability to convey emotions wordlessly make it a film worth experiencing. Its immersive storytelling, coupled with stellar performances, weaves a gripping narrative that lingers in the mind. after the credits roll.

***


Director Richard Douglas Jensen brings forth a chilling premise in “Monster Grizzly,” where a terrifying beast emerges from a blizzard to prey on the inhabitants of an isolated town. While the concept is promising, the technical execution leaves much to be desired, particularly in the realm of cinematography and capturing angles.

The cinematography of “Monster Grizzly” demonstrates some commendable moments, capturing the harshness of the blizzard and the isolation of the town effectively. However, the film falls short in its handling of crucial scenes involving the monster attacks. The lack of well-executed camera movements to intensify these moments weakens the impact, revealing the limitations of the production’s budget.

The film’s choice of capturing angles often fails to fully immerse the audience in the heart-pounding action.

Furthermore, the film’s choice of capturing angles often fails to fully immerse the audience in the heart-pounding action. The absence of dynamic angles during critical sequences minimizes the sense of urgency and fails to create the expected tension.

In contrast to the technical drawbacks, the sound quality stands out as a strong suit of “Monster Grizzly.” The soundscape effectively builds suspense and contributes to the eerie atmosphere, enhancing the viewing experience despite other shortcomings.

Regrettably, the acting performances in the film leave much to be desired. Despite occasional glimpses of character depth, the overall execution falls flat, undermining potentially engaging moments between the protagonists. Additionally, the lack of convincing special effects for the blood and gore sequences detracts from the film’s ability to evoke genuine terror.

However, despite its technical flaws, “Monster Grizzly” manages to maintain a certain level of engagement, largely due to its intriguing environmental message. The bear’s rampage, fuelled by environmental degradation, provides a unique twist. although the execution of these themes could have been more nuanced.

Questions arise regarding the believability of the bear’s attacks on armed humans. The lack of realism in these encounters raises doubts about the credibility of the depicted confrontations. Were humans inexplicably slow in defending themselves against the bear, or was the portrayal inconsistent?

“Monster Grizzly” presents a gripping concept but falls short in its execution.

Overall “Monster Grizzly” presents a gripping concept but falls short in its execution. While the film struggles with its camera movements, angles, and lacklustre acting, it manages to maintain a certain level of engagement, supported by an intriguing environmental message and a well-crafted soundscape.

Picture design Anumita Roy from IMDb

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Sukanya Basu Mallik
Sukanya Basu Mallik is a renowned Indian writer, known for her works in various publications and for winning Best Manuscript Awards for fiction & non-fiction categories (Mumbai Litofest, 2018). She is currently pursuing a PhD at IIT Madras, focusing on organisational behaviour and art-based therapies for enhancing teaching-learning effectiveness using immersive technologies. She was recognised for her short story 'Healing of Wounds' at NCLF, led by Ruskin Bond.

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